SOUNDCHECK SCHEDULE 2020
Subject to change.
Friday
Time |
Group |
Needs |
Notes |
FRI 3:00 |
X |
- |
- |
FRI 3:30 |
- |
- |
- |
FRI 3:45 |
Drop the Bass |
10 mics |
- |
FRI 4 PM |
SYNG SELECTED |
28 mics |
- |
FRI 4:15 PM |
x |
x |
- |
FRI 4:30 PM |
WashingTones |
x |
- |
FRI 4:45 PM |
UC Vocaholics |
13 mics |
- |
FRI 5:00 PM |
Riffrunners |
11 mics |
- |
FRI 5:15 PM |
Lehigh Echoes |
14 mics |
- |
FRI 5:30 PM |
Vox Pop |
9 mics |
- |
FRI 5:45 PM |
Vice |
5 mics |
- |
FRI 6:00 PM |
Martini Glass |
10 mics |
- |
SATURDAY
Time |
Group |
Needs |
Notes |
SAT 8AM-10:30 |
HS Groups SOUNDCHECK |
- |
- |
OLMSTED SPACE-----SAT 9AM-9:45 |
Spotlight Showcase SOUNDCHECK |
20 wireless mics |
- |
SAT 10:30 - 11AM |
Single Singers |
Ask Marc Silverberg! Only he knows ... |
- |
SAT 11AM -11:30 |
Riltons Vanner |
5 mics |
- |
SAT 11:30AM -12:00 |
Grace McLean |
1 mic + looper |
- |
SAT 12NOON -1 |
Blue Jupiter |
4 mics |
- |
SAT 1 -1:30 PM |
RESOLVE |
4 mics |
- |
SAT 1:30 PM -4:00 PM |
House Opens -HS Competition NOTE- HS Competition may run as much as 1 hour LONG! |
- |
- |
SAT 4:30 ish (or as soon as rm clears from HS Comp -which could be as early as 3:30 or as late as 5!) |
x |
- |
- |
SAT 5:00 - 5:45 PM |
--TBA-- |
- |
- |
SAT 5:45 PM |
Shimmer Grove Overtone |
6 mics |
- |
SAT 6:00 PM |
Spiderhorse |
2 mics |
- |
SAT 6:15 PM |
Midtown |
Midtown requests cross cross mic set-up as per standard barbershop. They may also do handhelds for 1 or 2 numbers but not determined yet |
- |
SUNDAY
Time |
Group |
Needs |
Notes |
SUN 10:00 AM |
Soundchecks |
- |
- |
SUN 11:00 AM |
Grace McLean teaches looping on Mainstage Can use as soundcheck too! |
1 mic + Looper |
- |
SUN 12:00 NOON |
- |
- |
- |
SUN 12:00 NOON |
X |
x |
- |
SUN 12:30 PM |
x |
- |
- |
SUN 1:00 PM |
SYNG on MainStage |
28 Mics |
- |
NOTES and Technical Specifications for Adelphi University Concert Hall
AUPAC Concert Hall General Information
The concert hall holds 500 regular seats. All have a clear, unobstructed line of sight to the stage.
The space has permanently installed acoustical walls and ceiling in both the house and stage area. There are a total of four entrances to the stage, one standard 3 foot door on both downstage-left and downstage-right, and one standard set of double doors, at 6 feet on both upstage-left and upstage right.
The stage is tapered style, 37 feet wide at the downstage edge and 29 feet at the upstage-wall. Stage depth is 29’ feet. Stage height is 3’ feet.
Some portion of the stage is used for lighting and staging so not all of the stage solace is available for performers.
Additional AUPAC Tech Specs.
SingStrong Provides 18 or more Hand-held wireless Mics (Shure Beta 87As or better)
Note that we expect to have access to around 24 wireless mics, but some are typically pre-assigned (emcee1, emcee2, and 3 ACA-Idol judges) and therefore not available for group use in all concerts. However, we are always expanding our equipment so ask for what you want and we may be able to provide it.
15 Hand-held corded Mics (Shure SM58)
1 belt-pack transmitter (for anyone using a head-worn mic or throat-mic, such as a thumper)
3 Large-Diaphragm Condenser Area Mics
2 Small-Diaphragm Condenser Area Mics
3 DI boxes
Tri-Amp'd Front of House Speakers with JBL VRX 932's complete with four 18-inch subwoofers = clear, loud, punchy, bass-y
2 types of Octave doubling effects- OC3 and dBx Harmonic Synthesis
4 Yamaha Stage monitors
Yamaha Digital Mixer with scene recall (what we set up in sound check, will be the same every time you take the stage).
Individual EQ and Compression on every input.
Studio Quality Reverbs, Delays, etc.
Regular Stands and Boom stands are available on request.
We are generally able to provide the above technical support, and sometimes more, however, this is not an absolute promise. Technology sometimes fails. When that happens, we will all do our best and roll with the punches!
The concert hall holds 500 regular seats. All have a clear, unobstructed line of sight to the stage.
The space has permanently installed acoustical walls and ceiling in both the house and stage area. There are a total of four entrances to the stage, one standard 3 foot door on both downstage-left and downstage-right, and one standard set of double doors, at 6 feet on both upstage-left and upstage right.
The stage is tapered style, 37 feet wide at the downstage edge and 29 feet at the upstage-wall. Stage depth is 29’ feet. Stage height is 3’ feet.
Some portion of the stage is used for lighting and staging so not all of the stage solace is available for performers.
Additional AUPAC Tech Specs.
SingStrong Provides 18 or more Hand-held wireless Mics (Shure Beta 87As or better)
Note that we expect to have access to around 24 wireless mics, but some are typically pre-assigned (emcee1, emcee2, and 3 ACA-Idol judges) and therefore not available for group use in all concerts. However, we are always expanding our equipment so ask for what you want and we may be able to provide it.
15 Hand-held corded Mics (Shure SM58)
1 belt-pack transmitter (for anyone using a head-worn mic or throat-mic, such as a thumper)
3 Large-Diaphragm Condenser Area Mics
2 Small-Diaphragm Condenser Area Mics
3 DI boxes
Tri-Amp'd Front of House Speakers with JBL VRX 932's complete with four 18-inch subwoofers = clear, loud, punchy, bass-y
2 types of Octave doubling effects- OC3 and dBx Harmonic Synthesis
4 Yamaha Stage monitors
Yamaha Digital Mixer with scene recall (what we set up in sound check, will be the same every time you take the stage).
Individual EQ and Compression on every input.
Studio Quality Reverbs, Delays, etc.
Regular Stands and Boom stands are available on request.
We are generally able to provide the above technical support, and sometimes more, however, this is not an absolute promise. Technology sometimes fails. When that happens, we will all do our best and roll with the punches!