SOUNDCHECK SCHEDULE 2024
Subject to change.
Friday
Time |
Group |
Needs |
Notes |
FRI 3:00 PM |
Group |
- |
- |
FRI 3:10 PM |
Group |
- |
- |
FRI 3:20 PM |
Group |
- |
- |
FRI 3:30 PM |
Five Towns College Vocal Jazz Ensemble |
14 MICS |
- |
FRI 3:40 PM |
Black to Gold |
7 MICS |
- |
FRI 3:50 PM |
- |
- |
- |
FRI 4:00 PM |
Lunar A cappella |
8 MICS w 2 beatboxers |
- |
FRI 4:15 PM |
Pitch Please |
14 mics |
- |
FRI 4:25 PM |
Blue Jupiter |
4 mics |
- |
FRI 4:45 PM |
Blue Jupiter |
4 mics |
- |
FRI 5:00 PM |
Blue Jupiter |
4 mics |
- |
FRI 5:15 PM |
Blue Jupiter |
4 mics |
- |
FRI 5:30 PM |
Blue Jupiter |
4 mics |
- |
FRI 5:40 PM |
Virginia Gentlemen |
15 mics |
- |
FRI 5:50 PM |
High Notes A cappella |
10 mics |
- |
FRI 6:00 PM |
Full Score |
9 mics |
- |
FRI 6:10 PM |
EMERGENCIES |
- mics |
- |
SATURDAY
Time |
Group |
Needs |
Notes |
SAT 8AM-10:30 |
12 HS Groups SOUNDCHECK |
- |
- |
OLMSTED SPACE-----SAT 9AM-9:45 |
Spotlight Showcase SOUNDCHECK |
- wireless mics |
- |
SAT 10:15 AM - 10:55 AM |
Single Singers |
Ask Marc Silverberg! |
- |
SAT 11 AM -11:30 |
KID BEYOND |
Loop Station Soloist |
- |
SAT 11:30 AM -12:00 |
Bizkit |
Loop Station Soloist |
- |
SAT 12 NOON - 12:30 |
The Trills |
6-person Mixed Pop |
- |
SAT 12:30 - 1 |
Pipeline Vocal Project |
3 mics. 3 person, female contemporary. |
- |
SAT 1 -1:15 PM |
Beatbox Dance Alliance |
2 Beatboxers and 2 Dancers |
- |
SAT 1:30 PM -4:00 PM |
House Opens -HS Competition 2-4-ish |
- |
- |
SAT END OF HS COMPETITION -could be as early as 3:30 or as late as 4:30) |
PLUG IN SWINGLES EQUIP WHILE ROOM CLEARS SWINGLES TAKE STAGE WHEN READY |
SWINGLES SOUND ENGINEER JAQUES |
- |
SAT 5:00 - 5:45 PM |
--SWINGLES CONTINUE SOUNDCHECK-- |
- |
- |
SAT 5:45 PM - 6:00 PM |
Midtown Barbershop Quartet |
Criss-Cross mic set up |
- |
SAT 6:00 PM - 6:15 PM |
- |
- |
- |
SAT 6:15 PM - 6:30 PM |
Classic Sounds |
5 mics. Doo Wop. |
- |
SUNDAY
Time |
Group |
Needs |
Notes |
SUN 10:00 AM |
- |
- |
- |
SUN 11:00 AM |
MAINSTAGE CLASS LIVE LOOPING W KID BEYOND |
- |
- |
SUN 12:00 NOON-1 |
MAINSTAGE CLASS LIVE LOOPING WITH BIZKIT |
- |
- |
SUN 1:00 PM |
- |
28 Mics |
- |
|
|
|
NOTES and Technical Specifications for Adelphi University Concert Hall
AUPAC Concert Hall General Information
The concert hall holds 500 regular seats. All have a clear, unobstructed line of sight to the stage.
The space has permanently installed acoustical walls and ceiling in both the house and stage area. There are a total of four entrances to the stage, one standard 3 foot door on both downstage-left and downstage-right, and one standard set of double doors, at 6 feet on both upstage-left and upstage right.
The stage is tapered style, 37 feet wide at the downstage edge and 29 feet at the upstage-wall. Stage depth is 29’ feet. Stage height is 3’ feet.
Some portion of the stage is used for lighting and staging so not all of the stage solace is available for performers.
Additional AUPAC Tech Specs.
SingStrong Provides 18 or more Hand-held wireless Mics (Shure Beta 87As or better)
Note that we expect to have access to around 24 wireless mics, but some are typically pre-assigned (emcee1, emcee2, and 3 ACA-Idol judges) and therefore not available for group use in all concerts. However, we are always expanding our equipment so ask for what you want and we may be able to provide it.
15 Hand-held corded Mics (Shure SM58)
1 belt-pack transmitter (for anyone using a head-worn mic or throat-mic, such as a thumper)
3 Large-Diaphragm Condenser Area Mics
2 Small-Diaphragm Condenser Area Mics
3 DI boxes
Tri-Amp'd Front of House Speakers with JBL VRX 932's complete with four 18-inch subwoofers = clear, loud, punchy, bass-y
2 types of Octave doubling effects- OC3 and dBx Harmonic Synthesis
4 Yamaha Stage monitors
Yamaha Digital Mixer with scene recall (what we set up in sound check, will be the same every time you take the stage).
Individual EQ and Compression on every input.
Studio Quality Reverbs, Delays, etc.
Regular Stands and Boom stands are available on request.
We are generally able to provide the above technical support, and sometimes more, however, this is not an absolute promise. Technology sometimes fails. When that happens, we will all do our best and roll with the punches!
The concert hall holds 500 regular seats. All have a clear, unobstructed line of sight to the stage.
The space has permanently installed acoustical walls and ceiling in both the house and stage area. There are a total of four entrances to the stage, one standard 3 foot door on both downstage-left and downstage-right, and one standard set of double doors, at 6 feet on both upstage-left and upstage right.
The stage is tapered style, 37 feet wide at the downstage edge and 29 feet at the upstage-wall. Stage depth is 29’ feet. Stage height is 3’ feet.
Some portion of the stage is used for lighting and staging so not all of the stage solace is available for performers.
Additional AUPAC Tech Specs.
SingStrong Provides 18 or more Hand-held wireless Mics (Shure Beta 87As or better)
Note that we expect to have access to around 24 wireless mics, but some are typically pre-assigned (emcee1, emcee2, and 3 ACA-Idol judges) and therefore not available for group use in all concerts. However, we are always expanding our equipment so ask for what you want and we may be able to provide it.
15 Hand-held corded Mics (Shure SM58)
1 belt-pack transmitter (for anyone using a head-worn mic or throat-mic, such as a thumper)
3 Large-Diaphragm Condenser Area Mics
2 Small-Diaphragm Condenser Area Mics
3 DI boxes
Tri-Amp'd Front of House Speakers with JBL VRX 932's complete with four 18-inch subwoofers = clear, loud, punchy, bass-y
2 types of Octave doubling effects- OC3 and dBx Harmonic Synthesis
4 Yamaha Stage monitors
Yamaha Digital Mixer with scene recall (what we set up in sound check, will be the same every time you take the stage).
Individual EQ and Compression on every input.
Studio Quality Reverbs, Delays, etc.
Regular Stands and Boom stands are available on request.
We are generally able to provide the above technical support, and sometimes more, however, this is not an absolute promise. Technology sometimes fails. When that happens, we will all do our best and roll with the punches!